My
Dear Heidegger,
I
hate to say this, but people warned me about you.
They
said you were difficult; they said you weren't worth the trouble—all those
things that people tend to say about philosophers, especially ones they don’t
like.
So
I tried to prepare myself: I brewed an entire pot of coffee. I made myself a
batch of scones (I’ve always thought that scones are the most academic of baked
goods). I readied my pile of differently-colored highlighters. I even Googled
your picture—incidentally, I wonder how you would have felt about Google?—and you
don’t look like a difficult man. Just
serious. Thoughtful.
But,
as will come as no surprise, I’m not writing to you to talk about your face.
You
see, Heidegger—can I call you H.? I’m going to call you H.—when I read
philosophy, I always try to figure out why the ideas are being presented in the
way that they are. Structure and content go hand in hand, right? And so I asked
myself this question about you. Because you really weren’t satisfied with the
job that language was doing, were you? I confess that I don’t speak a word of
German, and I do wonder if I’d be coming to you with a different set of
questions if I’d read things as you’d written them originally. But, alas…
I’m
going to cut to the chase here. What is
it with the re-definitions? I’m as much a fan of the flexibility of language
as the next person; I freely admit that sometimes I make up words, too. But I’ve
never read anything written by anyone who liked gerunds as much as you. I read
things like “Enframing is an ordaining of destining, as is every way of
revealing” and the cynic in me just wants to clock out. But I didn’t want to do
that to you…even though after a re-read, and another re-read, I’m not sure I understand. You know, H., you were
a beautiful writer—not beautiful in the way that flower are beautiful, or even
in the way that sonnets are beautiful, but more like the beauty of a
well-preserved skeleton. It’s very precise, your language, and completely
dependent on a series of interlocking parts—like a spine, like the twenty-seven
bones in the human hand.
I’ve
been wondering, H., how much you knew about programming. You see, what you did
to examine the essence of technology
feels an awful lot like what programmers do to get at the physical, or
instrumental, if you will, side of technology. When the code doesn’t work, you
rewrite it. When the proof is broken, you fix it. And so you do here. You were
creating your own way to communicate, just like the originators of symbolic
logic, or the creators of HTML. You take this very magpie approach—look to the
Greeks, look to science, look to poetry (a nice touch, by the way)—and you
build us up to this triumphant place, where all of a sudden we are not just
dealing with technology, but something more:
…enframing
propriates for its part in the granting that lets man endure—as yet
inexperienced, but perhaps more experienced in the future—that he may be the
one who is needed and used for the safekeeping of the essence of truth. Thus
the rising of the saving power appears.
The irresistibility of ordering and the
restraint of the saving power draw past each other like the paths of two stars
in the course of the heavens. But precisely this, their passing by, is the
hidden side of their nearness.
When we look into the ambiguous essence of
technology, we behold the constellation, the stellar course of the mystery.
The question concerning technology is the
question concerning the constellation in which revealing and concealing, in
which the essential unfolding of truth propriates (338).
You—like
so many others—are bringing it back to Truth. The question concerning
technology, you write, is the question that holds the essential notion of
Truth. And how is it that you and so many other of the early builders and
makers and thinkers all zeroed in on this idea of technology as a vehicle for
truth, or a way into the concept of truth, when so many of us now are just
really into Angry Birds and cat GIFS? Which bus did we get on? Which
constellation are we looking at? In the balance between ordering and
restraint, I have to imagine that you’d be putting us squarely in the former
territory—but what does that do to us going forward?
I’m
trying, H., I really am, to make sense of this, but I’m just not there yet.
If
you want to send along any cosmic hints, from the afterlife, well—you know
where to find me.
Best
wishes,
L.
I think H saw you drop the mic
ReplyDeleteDear L (if I may),
ReplyDeleteI'm with you on the "I'm not entirely sure what he just said, but I get the sense that it was beautifully-put" reaction. And "the beauty of a well-preserved skeleton" is a phrase I won't soon forget...
I'm also particularly smitten with the notion of H as a programmer, because I have a feeling he would have been a really good one; he seems anal and detail-oriented in a way that I think would serve him well in that line of work.
And finally, after reading your post I've decided that if H were to ever come back and teach a graduate seminar in technology and DH, he should title it ENG 975: "The Stellar Course of the Mystery."
Regards,
K
Mmm...I don't think my previous comment was posted. So here I am again, just in case.
ReplyDeleteLaura,
I really enjoyed reading your letter to H. I hope he gets it; I want him to think about all those gerunds he used, all those gerunds that did nothing but to obscure the text/argument even more.
Now, I happened to think about the idea of H being a programmer too. His reasoning was well organised and had many details to show what he meant. It's a pity I couldn't completely understand his conclusions about essence and Truth.
Hi Laura,
ReplyDeleteI loved your letter. I wonder if you could expand your ideas about the use of poetry and of the poetic that Heidegger makes in the piece we've read. It's interesting how you underlined his criticism of language. I wonder if he would understand poetry itself as Adrienne Rich did: "Poetry is, among other things, criticism of language."